Two for the Money movie review (2005)
Walter knows this so well he hasn't gambled in years. Brandon has never gambled. Toni has gambled: She gambled when she married Walter. They have a young daughter. The way Walter grabs for the nitroglycerin pills when his angina hits, he shouldn't be in a business that depends on point spreads. But Walter is an optimist: "It was only a small one," he says after one attack.
I won't tell you what happens involving these three people in this movie, but I want you to watch for the way all three change. The screenplay by Dan Gilroy isn't one of those deals where one guy acts out and everybody else watches him. It's about three people who are transformed in relation to one another, as a situation develops that is equally dangerous all the way around. It takes us a while to understand what Brandon is doing, and then we realize that Walter knows what he's doing -- and is seeing him, and raising him. There are moments here, including one moment before a live TV broadcast, where Walter is pushing his whole stake into the pot, and the game isn't poker, it's life.
Is the movie a realistic portrait of these kinds of people in this kind of business? I'm not an expert, but I doubt it. What I don't understand is how Walter finds out how much his clients bet, so he can collect his percentage. Bookies aren't real good at sharing information, especially for the benefit of an operation devoted to out-handicapping them. And besides, there are a lot of bookies. Why can't I get the tips from Walter's company, bet a grand with a bookie he knows about, and 10 grand with some guy he doesn't know about?
This is a problem, but it is not a problem that bothers me. It's a classic MacGuffin. The point is that something happens on the second floor that means Walter and Brandon and the telephone guys make a pile of money when Brandon correctly predicts the weekend games, and they do it without placing bets or taking bets. That's what we need to know.
Everything else is dialogue, direction, acting and energy. I've been watching Pacino a long time. I saw him at the beginning, in 1971, in "Panic in Needle Park." Already a great actor. His next movie was "The Godfather." I could mention "Dog Day Afternoon," "Glengarry Glen Ross," "Scarface," "Carlito's Way," "Heat," "Donnie Brasco." I could keep going.