The Last Castle movie review & film summary (2001)

There are similarities to "Cool Hand Luke" and its battle of wills. The film does such a good job of creating its oppressive, claustrophobic prison atmosphere, and peopling it with sharply defined characters, that it grips us, and we shake away logical questions; Lurie shows again, as he did in "The Contender," that he can tell a dramatic, involving story, even if later we're wondering about loopholes and lapses.

Redford and Gandolfini are two reasons the movie plays so well. Redford, because he does what's expected, as a calm, strong, unbreakable leader. Gandolfini, because he does what is not expected, and creates not simply a villain, but a portrait of a type that is so nuanced, so compelling, so instinctively right, that we are looking at the performance of a career. This actor, who can be so disarmingly genial (see his scene-stealing in "The Mexican"), who can play bad guys we enjoy (see "The Sopranos"), here transforms his face and posture to make himself into a middle-aged boy, a hulking schoolyard bully. He does a lot with his mouth, making the lips thin and hurt, as if he is getting back for a lifetime of wounds and disappointments. Col. Winter's childhood must have been hell.

The immediate experience of watching "The Last Castle" is strongly involving, and the action at the end, exciting. It's the kind of movie people tell you they saw last night and really liked. I really liked it last night, too. It's only this morning that I'm having trouble with it. Standing back from the excitement of the engagement, it occurs to me that the Irwin character, in his way, is no less a monster than Winter. Both men delight in manipulating those they can control; Irwin is simply better at masking his puppet-mastery in nobility. If Winter has been responsible for the injury and death of some of the men under his command, Irwin is responsible for more. If Winter is a disgrace to the uniform, so in a way is Irwin--who could achieve his objectives with less carnage than he does.

Much of the plot hinges on a convenient character named Gen. Wheeler (Delroy Lindo), who is wheeled on and off like a Shakespearean chorus. He trusts Irwin, despises Winter, yet makes his decisions entirely for the convenience of the plot. In the real world, he could have easily brought about a peaceful solution.

I was also surprised at the equipment unveiled in the later stages of the film. One of the delights of prison movies like "Stalag 17" and "The Great Escape" is the way the prisoners manufacture props or dig tunnels under the eyes of the guards. All of that ingenuity takes place offscreen in "The Last Castle," and when we see what Irwin has secretly prepared, we're surprised that Winter could miss such large-scale activities.