news | March 08, 2026

Sleuth movie review & film summary (2007)

And that is what you should do. Cast out all thoughts of wives, adultery, disguises, accents, ploys, surprises and denouements, and simply listen to the words and watch Caine and Law at work. You will observe the Pinteresque interplay of paradox and contradiction, the answers that didn't quite seem to hear the question, the statements of matters so obviously true that perhaps something else altogether is meant by them. In Pinter, the most banal dialogue can carry disturbing insinuations.

Then try to decide when the characters (not the actors) are acting, and when they are not. Do they mean what they say? Do they feel what they do? There is a third act development that is entirely absent in the original. What does it mean? Which man takes it seriously? Both? Neither? Each one calling the other's bluff? When Pinter saw or read the original material, I wonder if he thought: What this needs is the Pinter touch.

The director is Kenneth Branagh, himself a master of stagecraft and a lover of theatrical gesture. How brilliant he was in his film "Hamlet" (1996) to have the prince address his great soliloquy to his own reflection in a mirror. Look again at his underrated "Dead Again" (1991) and see his joy in dazzling effect.

In "Sleuth" what he celebrates is perplexing, ominous, insinuating material in the hands of two skilled actors. Law, interestingly, takes the role played by Caine in 1972, and Caine fills the role played then by Laurence Olivier. Caine, who has never been much for the stage, is a superb screen actor, so good his master classes on acting for the camera are on DVD. Here, dry and clipped, biting and savage, he goes for the kill. Law does a plucky job with Milo Tindle, but isn't it one of the laws of drama that characters named Milo Tindle never have a chance?

Note: Now, all of that said, why do I give the movie three stars, instead of more? Curiously enough, because in its strength is its weakness. It is so much about dialogue and performance that I, at least, found myself thinking more about the actors than the characters. All the same, as exactly what it is, it's fascinating.