King Kong movie review & film summary (1933)
How terrifying was it, really? Variety's original 1933 review conceded that "after the audience becomes used to the machinelike movements and other mechanical flaws in the gigantic animals on view, and become accustomed to the phony atmosphere, they may commence to feel the power." The showbiz Bible Variety complained, however, "it's a film-long screaming session for [Wray], too much for any actress and any audience." Yes, but nobody has ever forgotten that performance. (At a Hollywood party in 1972, I saw Hugh Hefner introduced to Fay Wray. "I loved your movie," he told her. "Which one?" she asked.)
Variety then and now was hard to impress, but my guess, based upon my first viewing as a teenager, is that audiences found it plenty scary. In modern times the movie has aged, as critic James Berardinelli observes, and "advances in technology and acting have dated aspects of the production." Yes, but in the very artificiality of some of the special effects, there is a creepiness that isn't there in today's slick, flawless, computer-aided images.
In "Jurassic Park" you are looking, more or less, at a real dinosaur. In "King Kong," you are looking at anideaof a dinosaur, created by hand by technicians who are working with their imaginations. When Kong battles the large flesh-eating dinosaur in his first big battle scene, there is a moment when he forces its jaws apart, and the bones crack, and blood drips from the gaping throat, and something immediate happens that is hard to duplicate on any computer.
There are of course questions we cannot help asking. Haver asks one: Why did the natives build a door in their wall, so that Kong could come through? Common sense asks another: How tall is Kong, really? (The filmmakers take poetic license: He's 18 feet tall on the island, 24 feet on stage, 50 feet on the Empire State Building.) Even allowing for its slow start, wooden acting and wall-to-wall screaming, there is something ageless and primeval about "King Kong" that still somehow works.