Glam Outlook
general | March 09, 2026

How to Deal movie review & film summary (2003)

"How to Deal" has some good things in it, including a performance by Allison Janney as a mother who is allowed to be more human and complicated than the average mom of a movie teenager. There's also a strong performance by Alexandra Holden, as the heroine's best friend, facing an unexpected pregnancy with more character than some of the adults show.

Moore stars as Halley Martin (is it a coincidence that the first name is an echo of Hayley Mills, who in her early pictures had the same freshness?). She narrates the story, which is based on the young adult novels Someone Like You and That Summer, by Sarah Dessen. We have come upon her during a period of disturbing changes in her life: Her father has walked out of the marriage and taken up with a radio weather bimbo, her sister is marrying into a family of rich snobs, her best friend is dealing with a big moral decision, and Halley herself is faced with the alarming prospect of her first romance. The boy is Macon (Trent Ford), and the fact that he's a nice guy only makes her choices more complicated.

The movie attempts to deal in a healthy manner with teenage sexuality (which Halley is none too eager to experience), broken marriages and learning to be yourself. But it's too heavy on issues and too light on just observing the characters and enjoying their freshness. Three other recent movies about articulate teenagers, "Bend It Like Beckham," "Whale Rider" and "I Capture the Castle," are smarter and more nuanced, and you don't see the plot changing gears so obviously. Still, that there are four movies in which teenage girls resolutely find their way in the world is an encouragement; shame about boys.

There are startling surprises in the movie that I must not reveal, and since they occur early and have effects all through the story, I may have to avoid a proper plot summary. Let me observe instead that Halley and her mom have some talks about life that are real, deal with the issues, and show the mother as an intelligent person with problems of her own. It's sweet the way the movie deals with her own possible romance, with a man played by Dylan Baker, who rarely gets to play such an attractive character. And Ford, as the boyfriend, somehow survives some awfully earnest dialogue he's made to deliver; there's a thin line between being good and being too good to believe.