Fight Club movie review & film summary (1999)
What is all this about? According to Durden, it is about freeing yourself from the shackles of modern life, which imprisons and emasculates men. By being willing to give and receive pain and risk death, Fight Club members find freedom. Movies like "Crash" (1997), must play like cartoons for Durden. He's a shadowy, charismatic figure, able to inspire a legion of men in big cities to descend into the secret cellars of a Fight Club and beat one another up.
Only gradually are the final outlines of his master plan revealed. Is Tyler Durden in fact a leader of men with a useful philosophy? "It's only after we've lost everything that we're free to do anything," he says, sounding like a man who tripped over the Nietzsche display on his way to the coffee bar in Borders. In my opinion, he has no useful truths. He's a bully--Werner Erhard plus S & M, a leather club operator without the decor. None of the Fight Club members grows stronger or freer because of their membership; they're reduced to pathetic cultists. Issue them black shirts and sign them up as skinheads. Whether Durden represents hidden aspects of the male psyche is a question the movie uses as a loophole--but is not able to escape through, because "Fight Club" is not about its ending but about its action.
Of course, "Fight Club" itself does not advocate Durden's philosophy. It is a warning against it, I guess; one critic I like says it makes "a telling point about the bestial nature of man and what can happen when the numbing effects of day-to-day drudgery cause people to go a little crazy." I think it's the numbing effects of movies like this that cause people go to a little crazy. Although sophisticates will be able to rationalize the movie as an argument against the behavior it shows, my guess is that audience will like the behavior but not the argument. Certainly they'll buy tickets because they can see Pitt and Norton pounding on each other; a lot more people will leave this movie and get in fights than will leave it discussing Tyler Durden's moral philosophy. The images in movies like this argue for themselves, and it takes a lot of narration (or Narration) to argue against them.
Lord knows the actors work hard enough. Norton and Pitt go through almost as much physical suffering in this movie as Demi Moore endured in "G.I. Jane," and Helena Bonham Carter creates a feisty chain-smoking hellcat who is probably so angry because none of the guys thinks having sex with her is as much fun as a broken nose. When you see good actors in a project like this, you wonder if they signed up as an alternative to canyoneering.
The movie was directed by David Fincher and written by Jim Uhls, who adapted the novel by Chuck Palahniuk. In many ways, it's like Fincher's movie "The Game" (1997), with the violence cranked up for teenage boys of all ages. That film was also about a testing process in which a man drowning in capitalism (Michael Douglas) has the rug of his life pulled out from under him and has to learn to fight for survival. I admired "The Game" much more than "Fight Club" because it was really about its theme, while the message in "Fight Club" is like bleeding scraps of Socially Redeeming Content thrown to the howling mob.
