Everest movie review & film summary (2015)
Jason Clarke’s Rob Hall is an experienced climber and the head of a company called Adventure Consulting. He’s a good-hearted bloke who’s got a devoted team and a relatively diverse clientele. The climbers putting out big bucks (or, in some cases, as it happens not; Hall, we learn at one point, is even more good-hearted than he appears) for a spring jaunt up Everest include cocky Texas businessman Beck Weathers (Josh Brolin), good-natured workingman Doug Hansen, and very game Yasuko Namba (Naoko Mori) a petite powerhouse who’s topped six of the so-called Seven Summits and now wants Nepal’s Everest, the highest of the bunch. The conditions at base camp are hectic and slightly tense. A star journalist, Jon Krakauer, is part of Hall’s expedition, which has aroused the envy of a Hall's pal Scott who’s now a rival climb organizer (played Jake Gyllenhaal, portraying the more hippie-ish side of the climbing gestalt). There are scheduling issues and various manifestations of pissiness between the teams that go up the mountains and prep climbing tools for their clients. Clearly, there’s a lot that can go wrong. Particularly if the weather turns bad.
There’s a resemblance here to both the story and the movie adaptation of the story told in “The Perfect Storm.” The characters involved are making a good faith effort—but good faith efforts by humans can only go so far. “Nature always has the last word,” one character observes early on. As the movie expertly depicts freezing conditions, approaching and full-blown storms, mini-avalanches hitting at just the wrong place and just the wrong time, and more, the movie provides an object lesson with respect to that adage.
As much as "Everest" trades in a kind of authenticity, it also trucks in the most banal of disaster movie clichés; for instance, one of the principal characters in the trek is leaving behind a pregnant wife. While this part of the story is as true as any other, the dialogue between the characters at the outset: “You better be back for the birth, [Full Character Name];” “You try and stop me,” practically screeches to the audience, “Start worrying about this guy NOW.”
What it all amounts to, finally, is an excruciating and dispiriting simulated recreation of excruciating and dispiriting real life events. While leaving the theater, I overheard several sets of people discussing the various actions some of the characters took and what they, the viewers, might have done in their stead. This occasioned some slight despair on my part. "You can’t stop what’s coming," as someone once said in another movie starring Josh Brolin, and I rather doubt that the filmmakers’ aim in making this picture was to excite the vanity of its audience. The point, as far as I understand it, isn’t “You could live if you did things differently than X” but rather that even the best-prepared are not really prepared.
